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Serie televisiva statunitense, ideata da Gideon Raff (già produttore di “Homeland”), trasmessa dal 24 giugno 2014 dal network FX, che affronta le problematiche del medio oriente con un dramma famigliare che parte dal ritorno in patria del figlio di un dittatore arabo. Inizialmente la regia dell’episodio pilota era stata affidata al regista Ang Lee (Brokeback Mountain) che rifiutò. Anche il protagonista principale, che doveva essere inizalmente Dominic West (The Wire), fu sostituito all’ultimo con Adam Rayner. La serie non ha avuto buone accoglienze dalla critica (54/100 su Metacritic), che la giudica troppo stereotipata, a volte ridicola e semplicistica. Solo il New york Times ha scritto che, pur con i suoi difetti, Tyrant è tutto sommato ben fatta e piacevole. Anche il pubblico, al contrario di molti critici, sembra apprezzarla (voto di 8,2/10 su IMDB). Bassam “Barry” Al Fayeed, figlio più giovane del dittatore che guida la nazione araba di Abbudin (Paese fittizio, le riprese sono stata fatte in maggioranza in Israele fino allo scoppiare della guerra che ha costretto a spostare la troupe in Turchia), pone fine all’esilio che si era auto-imposto, ritornando dopo venti anni al paese natale con la moglie e i figli, cittadini statunitensi, per essere presente al matrimonio del nipote Ahmad. Nonostante sia intenzionato a ritornare con la famiglia negli Stati Uniti, dopo il matrimonio si vede malvolentieri coinvolto negli affari della sua famiglia d’origine e nella complicata situazione politica di Abbudin… Nella serie troviamo due personaggi gay di rilievo, Abdul (interpretato da Mehdi Dehbi), guardia del corpo, giovane che proviene da una antica progenie di uomini che hanno gloriosamente lavorato nel servizio di sicurezza della famiglia Al Fayeed, e Sammy (interpretato da Noah Silver), figlio segretamente gay dei protagonisti Barry e Molly.Tra i due si sviluppa una relazione segreta.

Ruoli LGBT

Sammy Al-Fayeed - Noah Silver

ruolo: Sammy Al-Fayeed
inteprete: Noah Silver

Sammy è un adolescente gay, dichiarato solo con sua  sorella, questo perché la sua cultura d’origine vieta l’omosessualità. Trova comunque l’amore, con Abdul, anche se i due devono mantenere la cosa nascosta.




EPISODI PRIMA STAGIONE – Titolo Regia – Sceneggiatura Prima USA

1 “Pilot” David Yates – Gideon Raff June 24, 2014
2 “State of Emergency” Michael Lehmann – Howard Gordon & Craig Wright July 1, 2014
3 “My Brother’s Keeper” Michael Lehmann – Glenn Gordon Caron July 8, 2014
4 “Sins of the Father” Jeremy Podeswa – Peter Noah July 15, 2014
5 “Hail Mary” David Petrarca – Chris Levinson July 22, 2014
6 “What the World Needs Now” Tucker Gates – Glenn Gordon Caron July 29, 2014
7 “Preventative Medicine” Marcos Siega Arika – Lisanne Mitmann August 5, 2014
8 “Meet the New Boss” Charlotte Sieling – David Matthews August 12, 2014
9 “Gaslight”
10 ” ….”


Bassam “Barry” Al-Fayeed, (Adam Rayner).
Secondogenito del dittatore che guida Abbudin, rientrato in patria dopo aver vissuto per molti anni a Los
Angeles, dove era un pediatra.

Molly Al-Fayeed, (Jennifer Finnigan).
Moglie di Barry, di nazionalità statunitense.

Jamal Al-Fayeed, (Ashraf Barhom).
Fratello maggiore di Barry.

Leila Al-Fayeed, (Moran Atias).
Moglie di Jamal, la quale si ritrova in contrasto con Barry.

Sammy Al-Fayeed, (Noah Silver).
Figlio adolescente di Barry e Molly.

Emma Al-Fayeed, (Anne Winters).
Figlia adolescente di Barry e Molly.

Fauzi Nadal, (Fares Fares).
Giornalista e amico d’infanzia di Barry, imprigionato e torturato dopo aver esposto gli abusi del regime Al-Fayeed.

Yussef, (Salim Daw).
Consigliere di fiducia del dittatore.

John Tucker, (Justin Kirk).
Diplomatico statunitense.

Abdul, (Mehdi Dehbi).
Guardia del corpo della famiglia di Barry.

Amira Al-Fayeed, (Alice Krige).
Madre di Barry e Jamal.


Dana, (Jordana Spiro).
Moglie del diplomatico John Tucker.

Nusrat, (Sibylla Deen).
Moglie di Ahmad, figlio di Jamal, per il cui matrimonio Barry è ritornato dagli Stati Uniti.


Sometimes, it can feel like everyone on TV has daddy issues. From Raylan Givens to Jack Shephard to Nate Fisher, we’ve all experienced stories about men who are significantly shaped by the shadows cast by their fathers. FX’s new drama Tyrant is yet another in a long line of these stories and it’s the kind of show where our leading man Bassam “Barry” Al-Fayeed (Adam Rayner) is both figuratively and literally trying to run away from his past and his father’s influential shadow. However, what made this first episode so compelling and what gives me real hope for Tyrant as a series is that this also the kind of show where we very quickly see what returning home and to his father does to Barry. The shadow is inescapable.
Having spent his childhood watching his dictator father Khaled (Nasser Faris) run roughshod over Abbudin (our fictional Middle Eastern setting), Barry moved to the United States, become a pediatrician, married a white woman (Jennifer Finnigan), and tried to forget about all the things his father (and he) did back home. A trip back to the homeland for his nephew’s wedding immediately pulls Barry back into the tumultuous and dangerous life–including his parents and brother Jamal (Ashraf Barhom)–that he tried so hard to ditch. That’s not particularly original on its own, though the contemporary political and cultural climate in the Middle East certainly injects some life into the proceedings. Nevertheless, I enjoyed this first episode so much because though it presents us with that relatively recognizable premise, it built to a couple of great moments at the end of the episode that make the whole first hour-plus worthwhile.
Throughout the episode, Barry was reserved, almost to a fault. Other characters spoke, while he mostly listened, or pretended to as he was thinking about something else, usually some terrible childhood moments we saw in flashbacks. That type of character can work really well on the page, but it needs a sturdy presence on-screen. At first, I wasn’t entirely sold on Rayner in the part (setting aside the fact that he’s just a tanned British guy); he seemed so awkward around even his wife and children. But as the episode’s events unfolded, from Barry’s first meeting with his family at the palace and Jamal’s violent outburst during the bachelor party to the brief but not tearful goodbye with his father where the dictator told his second son “It should have been you,” the pressure kept building on this man who has decided that the only way to keep all this darkness away is to never talk about it and literally run as far away from it as he can. And then in one moment, in the hospital with his wife and kids, all the frustration, anger, whatever came out in a split second when Barry struck his (admittedly bratty) teenage son for disobeying him yet again. It was in that moment that you realize that Barry hasn’t just been running from his father; he’s been running from himself because he knows what this particular place, with all its history, and these people, bring out of him.
Good pilots build to moments like that. It was a very brief, fleeting bout of emotion from a character that didn’t present much of it throughout the rest of the episode, even after this particular scene. It was also a moment that in some ways recontextualized other parts of the episode, like the earlier scene where Barry told his wife Molly that he doesn’t blame his brother Jamal for his crappy behavior; he blames his father’s influence on Jamal. Clearly, that’s a loaded statement. A similar thing could be said for the early-episode line where Barry pleaded with Molly that they had to come back home after their visit.
Nevertheless, it was in that moment where Tyrant (and Rayner’s performance) really started to work for me. In some ways it felt like the pilot wanted us to feel even more shock about the “reveal” in the episode-long flashback sequence with young Barry and Jamal witnessing their father execute infidels. Obviously, the BIG SHOCKER was that even though Khaled pushed the older Jamal to be the future leader by pulling the trigger, it was little Barry who actually had the gumption to do it. That was a revelatory moment for the character and for the show, purposefully placed in the episode to come after the slap and the “It should have been you” line, but it was also pretty clearly telegraphed by the editing and flow of the episode. I preferred the hospital scene, for all the reasons listed above and for simply how the loud sound of the smack rang through the quiet, distilled hospital waiting room. Just really solid stuff from everyone, including director David Yates.
I don’t want to dwell on those moments too much more, because despite the some of the familiarity that Tyrant’s pilot offered, there was much to like here, with some caveats. Positioning Barry as a quiet introvert for the majority of the episode gave writer Gideon Raff and director Yates a lot of time to build out some of the supporting players, of which there are many. Barhom’s Jamal got most of the juicy material, including quite the introduction where Barry says “my brother” and then boom, smashcut to Jamal sexually assaulting a married woman while her husband and children wait in the hallway, very aware of what’s going on. And GOOD LORD let’s try not to focus too much on the later, uh, sexual encounter Jamal had near the end of the episode. I’m flinching just thinking about it. The rape-y stuff here was especially gross, and not that well-executed. We get it, Jamal is a bad guy! Finnigan didn’t have a whole lot to do as the wife, but she also wasn’t anything close to a lame nag either. The pilot was clearly setting up some of the history between Barry and Jamal’s battered wife Leila (Moran Atias), so I’m sure that’ll give both of the primary female actors/characters something to do very soon.
I’m guessing that considering that this show comes from the guys behind Homeland, there might have been an expectation for more of a political thriller. There was some of that here, particularly in the scene between Barry and his freedom fighting journalist buddy Fauzi (Fares Fares) and Jamal’s issues with some of the rebel terrorist groups in the area. Everyone’s mileage will vary of course, but those bits didn’t strike me in the same way as some of the interpersonal and familial conflicts did. I don’t necessarily need another show overtly about terrorist plots, spies, etc. I’m sure that will come into play on Tyrant, but this opening episode was focused on these messed up people, however familiar some of the focus happened to be. That’s the show, and it’s one that I’m excited to see unfold over the next nine weeks. ( Cory Barker, TV.com)

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