Under One Roof

Under One Roof
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  • Tendenza LGBT GGG
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Under One Roof

Definito una commedia romantica, il film ha girato nei festival lgbt prima di approdare nella versione dvd del catalogo TLA Releasing (in originale su Amazon). Girato in digitale a San Francisco in soli 17 giorni, il film, primo lungometraggio del regista Todd Wilson, ci racconda con dovizia di particolari (e nudità) la storia del giovane Daniel Chang (Jay Wong), prima generazione di una famiglia asiatica trasferitasi a San Francisco. Daniel è un ventenne gay che vive con la madre vedova e la nonna. Come molti giovani gay che vivono in famiglie conservatrici, conduce una doppia vita, velata in famiglia e dichiarato con gli amici. Le cose diventano difficili quando Robert (James Marks), un compagno di college proveniente dall’Indiana si trasferisce a vivere vicino a Daniel, che ne è perdutamente innamorato ma non vuole assolutamente mostrarlo a nessuno, deciso a continuare come figliolo modello per i parenti. Le scene migliori sono quelle tra i due protagonisti, che mostrano un ottimo feeling, anche nei momenti più intimi, mentre sono senza profondità gli altri personaggi a iniziare dalla madre interpretata da Sandra Lee fino agli altri amici. Il tema del film è sempre quello della scelta tra vivere una vita nostra, autentica, o vivere come gli altri si attendono da noi. Solo la forza di un grande amore può aiutarci in questa scelta che prevede un cambiamento totale per il nostro futuro. Didattico, senza troppe pretese, ma godibile.


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“Modesty is not quite a virtue in “Under One Roof,” a San Francisco-set video feature so innocuous in its treatment of a budding gay romance that pic lands somewhere between the harmless and the characterless. Mild content and homemade production values will limit exposure to gay and Asian fests.
Daniel Chang (Jay Wong) is a twentysomething accountant still living with widow mom (Sandra Lee) in the Chinatown flat he was born in. He’s “out” to his friends, but not to Ma, whom he fears wouldn’t be able to take the shock. Compartmentalizing his life this way is stressful, however, and it becomes a lot more so when the very cute, available and interested Robert (James Marks) moves into their basement “in-law” apartment. Against Daniel’s best judgment, they commence an affair that at last forces him to choose between the closet and happiness. Seriocomedy is sweet natured, but first-time helmer Todd Wilson’s awkward direction, David Lewis’ under-complicated, sometimes dialogue-clunky script, and variable perfs do nothing to distinguish predictable narrative course.” (Dennis Harvey, Variety)


Daniel Chang (Wong) is a twenty-something second-generation Chinese-American living at home in San Francisco with his widowed mother, who can speak broken English, and his grandmother (his father’s mother), who cannot speak English. Ever since his father died, he has fulfilled his patriarchal duty as first and only son by managing the family business and looking after his mother. Being gay, he avoids the second major responsibility of carrying on the family line through heterosexual marriage and reproduction. Out of respect for his mother’s values, he tries to keep, as he puts it, his home life and his “homo life” separate. By not directly telling his mother that he is gay, he has unwittingly found himself in a tense but hilarious situation where his mother continually pressures him to marry women of her choosing. Luckily, Daniel’s female friend, Michelle, graciously rescues him from the constant onslaught of potential dates by pretending to be his steady girlfriend (for a price), which deflects his need to come out to his mother.
Besides the extra money Mrs. Chang makes playing Mahjong, she also rents out the basement illegally. Daniel relates how he was quite happy to leave the previous female tenant alone. Daniel expects his mother to replace the previous tenant with another woman and is astounded when the new tenant turns out to be Robert, a young attractive white man from Indiana. Daniel immediately has a crush on him. Following a plumbing mishap that floods the basement with raw sewage, Mrs. Chang apologetically moves Robert into the only other bedroom that is not hers—Daniel’s room. Even though reality has merged with Daniel’s deepest fantasies, he bows to the paranoia that his mother will find out he is gay and decides to sleep on the living room sofa. Mrs. Chang eventually kicks Daniel off the couch so she can watch her late-night TV programs, and he is forced to share his bed with Robert. Daniel manages to be prudish for a few nights but eventually the two become lovers.
Daniel’s fear of being caught making out with a man constantly gets in between his relationship with Robert, and Daniel begins to wish that the basement repairs would finish soon so they could move their lovemaking to a safer area. However, one day Mrs. Chang and Grandma return home earlier than expected right in the middle of one of Daniel and Robert’s trysts. Grandma walks in on them during copulation to offer them mooncakes, one of the few English words she knows. She sheepishly leaves the mooncakes on the nightstand and exits, giving them enough time to roll apart to opposite sides of the bed just as Mrs. Chang walks in. Daniel quickly chastizes her for not knocking and makes up the excuse that he was napping. Mrs. Chang does not seem to notice that both he and Robert are naked, but she bluntly tells Robert to move his belongings back into the basement that night.
With the basement repaired, Daniel imagines he can finally spend time with Robert away from his mother’s prying eyes, but the very next day a San Francisco building inspector stops by. Daniel suspects his own mother called the inspector, who gives the Chang’s a list of expensive home improvements that would be needed to legally rent the room. Mrs. Chang jumps at the chance, arguing with Daniel that she has no choice but to make Robert move out. Their argument echoes in the basement and Robert hears Daniel give in without too much of a fight. Heartbroken, Robert moves away to a friend’s place in Pasadena.
Daniel reaches his breaking point. Miserable and determined not to be alone forever, he comes out to his mother the very next time she starts talking about available young women. This time he is direct and asserts that he wants to be with Robert. Mrs. Chang reacts angrily, lecturing Daniel in her native tongue and storming away from him. In her confusion, disappointment and fear of losing Daniel (who threatened to move out), she turns to the only other woman she knows with a gay son, Robert’s mother. Robert’s mother asks Mrs. Chang if it wouldn’t be so bad to have another son, a clever way of getting around the cultural taboo of same-sex love. Shortly thereafter, Mrs. Chang calls Daniel back home to meet another potential date. Daniel flips out and races back home to stand up to his mother for the last time. He opens the door bellowing out, “Mother!” but almost chokes from surprise when Robert walks toward him instead. Mrs. Chang had invited Robert to be part of their family.

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